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Campos anthropomorphizes two battling polar sides of the author: the desperation for affection and a focus; and his desire for shutting away from the planet stemming from a feeling of nothingness that wishes for being something – the two inner thoughts of want
The speaker then expresses a sense of defeat, clarity, and perplexity. They really feel as should they know the truth and therefore are aware in their impending mortality. They now not sense a relationship to the earth all around them and see them selves as detached observers.
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You'll find references to death, fate, and the inevitability of existence's problems and uncertainties. The imagery of "umidade nas paredes e cabelos brancos nos homens" (moisture within the partitions and white hair on men) implies the passage of time and also the decay that accompanies it.
Um dos poucos momentos otimistas do poema, onde o sujeito esboça alguma alegria, acontece quando ele vê da sua janela uma menininha comendo tabacaria delivery chocolates alheia aos problemas existenciais dos adultos.
The speaker acknowledges their not enough goal or outlined id but asserts that within just them resides "todos os sonhos do mundo" (the many desires of the whole world), suggesting that Even with their inner thoughts of emptiness, they however have a limitless creativity and potential for dreaming.
O sujeito ainda tenta embarcar no caminho da felicidade inaugurado pela pequena, mas rapidamente volta ao seu estado inicial de tristeza brand ao tirar o papel de prata, que constata ser de estanho.
a thing in everyday life. This poem is easily the most famous that expresses the latter. All Campos poems can occur off as manic-depressive, aggravated, and a feeling of worthlessness – this poem embodies everything.
The lyrics continue to describe the scene with the speaker's window, observing the secret of the frequently bustling street and reflecting about the enigmatic character of existence.
His poems come to feel as authentic as being the shop, or a minimum of are an attempt to get into touch with this type of reality. Close to the conclude, he compares his writings for the store’s indicator – a label to a real detail all want.
Among the poet’s regular preoccupations is that of identification: he will not know who He's. The situation, It appears, is not that he doesn’t understand what to become; Quite the opposite: he hopes to be too much, every little thing; wanting obtaining this he despairs.
Campos was by far the most significant of Pessoa’s heteronyms as well as a person closest to his legitimate heart and man or woman."
The music serves as a mirrored image on the constraints from the human condition and the wrestle to search out significance in an normally perplexing and transient earth.
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